24.7.13

Stranger to Failure

For a fully paid-up cricket tragic, the Long Room at Lord's is a dreamlike place. It is also multi-faceted: part art gallery, part social centre, part grandstand, part green room to one of the greatest sporting theatres on earth. The right to enter it during a Test match - conferred after many years waiting for people to die and the procurement of a substantial sum of money - gives you the opportunity to study players with a proximity granted to few. At Twickenham, at Wembley or at Wimbledon it isn't possible to hang around the dressing rooms or follow the players' progress to the arena without being arrested. At Lord's, it is.

I once saw Darren Gough leave the field at the end of the last spell he would ever bowl in Test cricket. England's opponents South Africa had scored 682 for 6 declared, and Gough had bowled 28 wicketless overs for 127. His face was scarlet and he walked with an uneasy gait that spoke of mental and physical exhaustion. He appeared disillusioned, on the verge of tears. He wouldn't be walking that way again.

I've also seen many batsmen walk from the dressing rooms to the pitch's edge. Convention and the demands of their profession dictate that they wear a serious expression. The message they are conditioned to give off is that this, what they are doing, what they have wanted to do since they began to play the game, is work. They are not there to enjoy themselves. They are there to make runs. After they have done so, from the safety of the middle, where people they don't know cannot see the whites of their eyes or guess at their deepest emotions, they will allow themselves to show that they are enjoying what they are doing.

Last Saturday, with Joe Root, things were different. With Root they usually are.

As Root, who is 63 not out, returns to the field after lunch, he strides ahead of his older partner and fellow Yorkshireman, Tim Bresnan, and his soft manchild's eyes betray a brief hint of levity and recognition. Then, before he puts his helmet on, he breaks into a smile. It seems to me, standing right in his eyeline, that he may have realised that he is going out to bat for England against Australia at Lord's and that he is in a position to fulfil the childhood ambition both of himself and of virtually everyone who is watching him. He can make a century for England at Lord's and he is not daunted by the possibility of failure. Instead he is relishing the prospect of success. There is also the feeling that he is a little flattered and amused by the fact that a roomful of people he does not know, and who are far removed from him in age, background and experience, are applauding him, a lad from Sheffield who simply knows how to bat very, very well.

From the time he came into the England side at Nagpur at the end of last year, Root's performances in all three formats of the game - with their combination of poise, judgement, technical acuity and nerveless flair - have been those of a phenomenon. But he is, in some ways, an unlikely phenomenon.

To watch Root at the wicket is not to be awed by genius. His stance is a little ungainly, perhaps as a result of his relatively recent transformation from a slight lad to a tall young man, although he retains a freshness of face which can make him appear 17 instead of his chronological age, which is 22. He has no signature shot, although he is perhaps happiest working (and sometimes stroking) the ball through the off side off the back foot. When anyone overpitches he is quick to recognize the length and drive the ball, with an exaggerated crouch through the off side, or with fine timing straight or through the leg side. When the ball is dropped short he will pull, when the nature and circumstances of the game demand it he will improvize. He is a workmanlike, predominantly orthodox batsman in the classical Yorkshire idiom, where runs, not empty style, are all.

His batting carries echoes of Atherton, although, where Atherton was hunched, Root is upright, and where Atherton was careworn by the demands of captaincy and the stresses of playing in a consistently overmatched side, Root is carefree. His Long Room smile is far from unique.

For now Root is a stranger to failure. Watching him bat, or bowl his sharply ripped off-breaks, or skip around in the field, or simply take his place with unforced self-assurance among his seniors on the dressing room balcony, it is possible to see the years sliding away into the future. Where now he is 22, one day he will be 34. He will have known failure, and the smiles will be less common, but the powerful sense is that he will still be there and he will still love what he is doing.

Joe Root will be walking through the Long Room for many years to come.

4 comments:

Graeme said...

How different would this essay have been if Root had been caught at 8 in that innings? While I am excited by the maturity and confidence Root has shown at the crease in his very brief test match career, there are a number of short-comings that so many people just gloss over in their urge to see him as the new saviour of English batsmanship, eg the fact that his success against new ball bowling had been non-existent until his promotion to open...and his first few innings at the top of the order were very sketchy and uncertain.

I remember the way that John Hampshire and Frank Hayes were praised to the skies after their shining debuts, only for their test careers to vanish without trace.

I am hoping that Root does not turn out to be the next Graeme Fowler, whose career started so brightly but lasted a mere 21 matches.

Brian Carpenter said...

Thanks, Graeme.

Well, of course, if he'd been out for 8 then there wouldn't have been much of an 'essay', but he wasn't. Many another outstanding innings (Pietersen at The Oval, 2005, just one example off the top of my head) could have been cut short and meant nothing, but they weren't. Ultimately, unless, perhaps, an innings is riven with mistakes, luck and dropped catches (which this most certainly wasn't) then I think what matters is what actually happened, not what could have happened but didn't.

I can't speak for anyone else, but I don't see Root as 'the new saviour of English batsmanship'. For a start, with players of the calibre of Cook, Bell, Trott and KP around, it's not as if it needs much saving. He's simply what I regard as a very well-equipped and versatile young batsman with an exceptionally calm temperament. I think he'll be around for a long time, although, of course, I could well be wrong. If I am I'll be happy to admit it.

He's had plenty of success against the new ball for Yorkshire and the England Lions, which I think counts for something. If he'd genuinely never had any success he wouldn't, of course, have been anywhere near the England side in the first place.

chrispscricket said...

I really enjoy your description of the pleasures and contradictions of the Long Room. Last week I saw another break with the convention of serious-faced cricketers there. Cook had led his team into the Long Room, but had to check them before turning towards the ground as the umpires hadn't yet appeared. Our clapping petered out. Erasmus and Dharmasena emerged and Swann piped up, "Let's hear it for the umpires" and the room resounded with applause.

Your review of Root captures him very nicely, including the lack of signature shot. I do hope he doesn't get too well known for the ramp shot.

Chris

Brian Carpenter said...

I wish I'd been there, Chris.

Subscribe in a reader